EILEEN TABIOS Engages
A Stranger’s Table by Anne Brooke
(Lulu.com, 2008)
There are lovely poems in Anne Brooke’s A Stranger’s Table—many give pleasure
through reading. Here’s one:
Haiku
Two
boats on water
nestle
in the morning sun;
shoes
expecting feet.
Many other poems uplift with such thoughtful
lines as
“the
lurch of a foreign morning”
—from
“The day after…”
“Unhook
the stars,
let the
sky float down”
—from
“Anti-Celebration”
“The air
is soft with menace”
—from
“Ghost”
“lift me
up beyond myself
and wing
me to the dark”
—from
“Autumn Wine”
It’s no fault of the poems, therefore, that
after finishing the book, I’m compelled not just to consider the poems but also
their presentation, and the old story evoked by such presentation.
That is, the book’s production is simple, e.g.
a plain blue (though lovely blue) cover with white text, no extra formatting
that might differentiate the title from the text (e.g. bold-faced or different
font), no Table of Contents and no pagination.
Fortunately, the format and structure do allow for the poems to speak
for themselves, unmediated by the elements of book publication like blurbs and
such. They speak well enough.
Released in 2008 (yes, review copies stay that
long and longer on Galatea Resurrects’
review copy shelves because we consider poetry eternal), the book is self-published
and utilizes Lulu.com. A prefatory note
shares that the collection was “longlisted” in a competition. The all of it moves me to speculate—was this a
case of a poet finally just getting tired of the against-the-odds book
publication odds for poetry and thus taking advantage of technological advances
to print the book herself and get it out there…?
Most books released in such a manner get
released into a black hole of silence. But
this is a book that (along with many by more famous poets) give lie to the idea
that self-publication should be shameful.
I read this book by a poet I do not know and so write this engagement
mostly to evaporate the silence by having it talk back:
Dear
Anne Brooke,
I enjoyed these poems. I’m grateful you wrote them. And I’m happy you did what you had to do to
give them a shot of living on their own out in the world.
Sincerely,
Eileen
*****
Eileen Tabios reveals something about herself in ARDUITY'S interview about what's hard about her poetry. Her just-released poetry collection, SUN STIGMATA (Sculpture Poems), received a review by Amazon Hall of Famer reviewer Grady Harp. Due out in 2015 will be her second "Collected Poems" project; while her first THE THORN ROSARY was focused on the prose poem form, her forthcoming INVEN(S)TORY will focus on the list or catalog poem form. More information at http://eileenrtabios.com
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